Overview:
Most frequent Everyviewers may remember Clay’s review on the progressive rock band The Mars Volta’s newest album Octahedron. Well today, in the shadow of Halloween and with T.V. channels beginning their brutal rape of any and all things scary, I will be reviewing an album based on ghosts, Quija boards, and the afterlife. The album in question is the Volta’s fourth, and my personal favorite, The Bedlam in Goliath. Continue reading
Overview:
Since their inception, The Mars Volta have proven to be one of the more conflicting bands of the modern era. After splitting up underground punk heroes At The Drive-In, principal musicians Cedric Bixler-Zavala and Omar Rodriguez-Lopez kicked off TMV’s career with 2003’s sprawling masterpiece “De-Loused in the Comatorium,” only to follow it with 2005’s “Frances The Mute,” a self-congratulatory piece of shit made by people who were far too pleased with their own “unique” vision. The albums that followed, 2006’s “Amputechture” and last years “The Bedlam in Goliath” fell somewhere in between. They possessed moments of genuine inspiration, but didn’t possess the overall charm of the band’s debut. Continue reading