Since it’s out of competition debut at the 2010 Cannes Festival, Quinten Dupieux’s RUBBER has been piquing interests across the horror community.
Labeled as “The Killer Tire” movie, Dupieux attempts to outsmart his audience with the tale of Robert, a tire left in the California desert that suddenly finds itself afflicted with a bad case of Life. Confused about its new environment, Robert sets out to discover the world around, using its powers of psychokinesis to blow anything up that crosses its path. It starts small with tin cans and glass bottles, moving upwards to bunnies, scorpions and then human prey. Continue reading