Overview:
Most frequent Everyviewers may remember Clay’s review on the progressive rock band The Mars Volta’s newest album Octahedron. Well today, in the shadow of Halloween and with T.V. channels beginning their brutal rape of any and all things scary, I will be reviewing an album based on ghosts, Quija boards, and the afterlife. The album in question is the Volta’s fourth, and my personal favorite, The Bedlam in Goliath. Continue reading