[Movie Review] Gangs of the Dead (2006)

I really shouldn’t need to introduce a movie called Gangs of the Dead. It is exactly what you’d imagine based solely on its uninspired title; an apocalyptic zombie film with gangsters. I know, right? It sounds like the most awesome movie that could possibly exist.

How could anyone not love a tragic tale of lower street-thug gang life meets flesh-starved zombies with no ambition other than to feast on the living? It’s like if George A. Romero had directed Boyz n the Hood, and honestly, that’s the movie I’ve been waiting for.

I’ve always felt like the angst of the clashing of the black and Mexican cultures in the urban South-West could best be told through an ingenious satire where the living dead represent something much deeper than mindless corpses.

No, I’m fucking with you. This movie sucks.

Hard.

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[Movie Review] Batman: Under The Red Hood

First of all, I’m a comic fan from back in the golden age of comics. No, I don’t mean the 50’s and 60’s. I’m talking about the 90’s, the span of time in which comics really grew into their own and started becoming a mainstream and respected medium. A time when Marvel and DC started taking chances with their golden characters, and upstart companies like Dark Horse and Image, independent publishers both, gave the big two runs for their money by publishing books that were risky, adult and contemporary.

Since that time, Marvel and DC grew up drastically, telling stories like The Death of Superman and The Age of Apocalypse, where beloved characters, staples of the their respective universes died, tragically and heartbreakingly.

Even though I was always a marvel fanboy (DC characters were too flawless, too perfect), around that same time, Tim Burton directed the legendary Batman movie, starring Michael Keaton and Jack Nicholson. This led to Batman: The Animated Series, a series, though produced certainly for children, had very adult themes, artwork and sensibilities. From this point, DC seemed to take a great deal of pride in its animated works, producing the amazing Adventures of Superman, The Adventures of Batman and Robin, Justice League and Justice League: Unlimited. That tradition is continued in DC’s latest feature-length animated batman movie, Batman: Under the Red Hood.

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[Movie Review] Jackass 3D (2010)

I thoroughly enjoyed both of the previous Jackass films, and also extracted great joy from watching the television series as well as the related band of raucous programming, including Wild Boys and Viva La Bam.

This being true, when I caught the stinky, fecal matter-stained wind that a third Jackass movie with an added dimension was on its way to theaters, I became excited.

In fact, I decided to make Jackass 3D the first movie I saw in theaters on opening night with a ticket I purchased with my own money in a very long time. I mean, how could it be anything but great?

Bone-breaking stunts, hilarious practical jokes, gag-inducing gags, and the promise of dickloads of full-frontal male nudity seemingly ensured I was in for quite the treat.

It’s true that I flinched a little bit when handing over my $13 for a single admission pass, but my optimism remained remarkably high.

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[Movie Review] The Social Network (2010)

David Fincher has a real penchant for telling thoroughly engrossing stories. His filmography reads like a Dean’s List of phenomenal films, stuff ranging from the dark and moody Seven, to the super-charged and testosterone-filled Fight Club, and the cerebral and tension-filled Zodiac, Fincher has repeatedly told stories that feel like events.

The Social Network is no different. In fact, it could perhaps be Fincher’s greatest overall work, as it both captures and transcends the creation of popular megasite Facebook.com (speaking of which, be a fan of our page).

The film is the true story revolving around the creation of the incredibly popular website, and the main character of the film is the infamous Mark Zuckerberg, creator and founder of the famed social networking website. Zuckerberg is played by Jesse Eisenberg (The Squid and the Whale, Zombieland), and we are immediately thrust into a conversation that on the surface could be just like any other disagreement a guy and a girl have had at a bar. Eisenberg’s Zuckerberg comes off as condescending, if not creepily confident in himself and his skills.

The film is a fascinating, at times tremendously engrossing, portrait of a brief period of time in recent history that has made a surprising impact in pop culture worldwide. Fincher lets the tension build and build throughout the movie, and the structure of the film was somewhat surprising to me.

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[TV Review] $#*! My Dad Says Pilot Episode

Overview:

Like 1,724,133 other people, we here at the Everyview Network became avid followers of Shit My Dad Says, a Twitter account started by a writer named Justin Halpern, documenting hilarious observations made by his cranky and politically incorrect father Sam. The ramblings on an angry, yet noticeably intelligent old man made for a genuinely gut-busting read.

Well, the phenomenon became so widespread, it lead to a book, and now a television show on CBS with William Shatner as the cantankerous father, renamed Ed Goodson. If you’re anything like me, you’d be worried that such an explosively funny entity would have its balls ripped right off when placed on a major network and the end result would be a lame waste of time.

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[Movie Review] The Town (2010)

The Town is Ben Affleck’s directorial follow-up to his impressive debut Gone Baby Gone. Where his previous film was perhaps a bit grimier and grittier, The Town boasts all the obvious step-ups in production value. The chases are slicker, and explosions are more grand, and it’s yet another Bostonian Crime film that holds your emotions in the palm of its hand for the entire two hours.

Ben Affleck gets a pretty bad rep from a lot of people who claim that his acting is hollow or wooden. Those folks made the mistake of thinking movies like The Sum of All Fears or Paycheck were going to be anything more than big-budget, special effects-laden popcorn flicks. Affleck never proved to be the weak link in his weaker films, and since turning his focus behind the camera he has shown a real great sense of telling a compelling and engaging story. In all honesty, Ben Affleck directs the movies Clint Eastwood would direct with an extra shot of adrenaline, a pair of testicles, and minimal sentimentality. With The Town, we are presented with an area (The Charlestown area of Boston) where it immediately becomes obvious that crime is the only real career choice for work.

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[Book/Website Review] theroomnovelization.blogspot.com

Overview:

As I’ve stated in the past, I am an avid fan of the trashy and ultra-incompetent 2003 movie The Room. Like many people (all of whom unfortunately have no connection to this site whatsoever), I find each viewing of this masterpiece to be a gift from God himself, and as awful as it is, it’s thoroughly entertaining in a way that it trumps most every media creation over the past decade.

Well, hoping to bring the movie’s enigmatic appeal to the literary crowd, a Canadian blogger named Marcus Sullivan has taken this gripping tale of love, betrayal and emotional apart tearing of and crafted The Room Novelization, which, as it sounds, is a novelized version of the film. And while this “book” won’t offer much in terms of entertainment to people unfamiliar with the film, for those of us who are, it’s a mostly delightful companion piece.

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[Movie Review] She’s Out of My League (2010)

She’s Out of My League stars Jay Baruchel as Kirk, a nerdy guy who works in an airport who works with all of his best friends. He finds a lost iPhone that happens to belong to a hot “perfect 10” named Molly. When he returns it to her they hit it off and begin a relationship, despite the obvious difference in their public statuses.

The movie fails to highlight the genuine attraction that Molly would have for Kirk at first, and only later begins to explain that she’s looking for a guy who isn’t going to hurt her in a long term relationship. Of course, Kirk is more than happy to reap the benefits by dating a girl obviously out of his league.

The chemistry between Baruchel and Molly (Alice Eve) is decent, but the problem lies with Baruchel’s inability to carry a movie by himself. I’m not a huge fan of his usually, and he provides little here to believe he can ever be anything more than a peripheral character in a comedy. He doesn’t play the awkward guy as well as some might think, and it’s somewhat annoying at points here. Still, Kirk is a decently honest guy who realizes his great luck, and he’s not terrible.

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[Movie Review] I Hope They Serve Beer In Hell (2010)

One of my first reviews for this site was a book review on Tucker Max’s autobiographical recounting of several stories of varying debauchery. The first time through, the book is a raucous, sleazy, often hilarious journey through this guy’s life as basically a championship asshole. The book doesn’t hold up as well as I’d anticipated on subsequent readings once  the initial shock and hilarity wears off, but that first go around is fantastic.

And then I heard they were optioning it into a film, and I got worried. Were my fears justified? Unfortunately, they were.

I Hope They Serve Beer in Hell isn’t a completely terrible movie by any means, it’s just a majorly frustrating one. The book works on the strength of the series of stories Max has to tell, and the differences between them. They’re short, they flow well, and are entertaining as hell. The film decides to structure itself into one long narrative focusing on Tucker’s friend Dan’s Bachelor Party and subsequent wedding, while throwing in pieces of stories from the book that I didn’t recognize as being connected, mainly because they aren’t. Everything in the film is based on a true Max story, but the overall narrative of the movie is tailored to connect the dots of stories that aren’t exactly connected. I hate that approach, and it seems lazy and blatantly disrespectful of its intended audience (i.e., people who read the book).

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