New Kanye West song leaks, takes over the internet

No matter you’re opinion of hip-hop dynamo Kanye West, chances are you can at least recognize the musical talent of the man. This week a new song leaked from his next album Good Ass Job, and it sounds as if Kanye has not only gone back to his bread and butter sound, but it sounds as if his motivation is sky high. The song is called “Power,” and it’s old school Kanye (old school? The guy has been around less than a decade!). But nonetheless, Kanye seems to be back in top form.

Preview the song here: http://hypem.com/search/kanye%20west%20power/1/

Arcade Fire Announce New Album; “The Suburbs”!!

For those who are inclined to listen to music that is brilliant, Arcade Fire announced this week the release date for their immensely anticipated third album, The Suburbs. The date in the U.S. is August 3rd, and I know that as much as I enjoy my summer, now I’m already ready for the first week of August.

More information can be obtained at their official website, and you can also listen to portions of a couple of songs. And if they are any indication, this album has epicocity written all over it’s gorgeous face.

[Doubleshot Movie Review] Macgruber

As the only two people who saw the new Saturday Night Live sketch turned feature-length movie Macgruber over the weekend, contributors Andrew Majors and Daniel Gauer both felt compelled to share their contrasting views on the Will Forte spoof in the latest entry in our mostly unused and arguably unneeded Double Shot Feature

Review by Andrew Majors:

Judging by the weekend’s measly Box Office estimates, I was one of very few people to head to the theater and check out the debuting film Macgruber.

A lot of people made a big mistake.

Macgruber is one of the most belly laugh packed films to hit the theaters in a very, very long time. It’s much more than an SNL film, or a spoof film, or many of the other preconceived tags the film has garnered. It’s a well-put together, blisteringly funny film that takes advantage of every lavish Hollywood cliche at its disposal and then implements it in the funniest way possible. Continue reading

[TV Review] Lost-“The End”

Everything that can be said about the television juggernaut Lost has been said before, and recently, in great frequency. The show concluded its epic six season run on Sunday, May 23rd with a 2.5 hour finale event. These are my thoughts on it.

It’s tough to talk about Lost without theorizing about what happened, what should have happened, what could’ve happened, etc. I wrote this final episode in my mind a dozen times, but the final product exceeded my expectations more than I’d anticipated. And it’s because it wasn’t filled with things I saw coming, it wasn’t only filled with answers to the many island related questions that have been posed since 2004. Continue reading

[Music Review] Band of Horses “Infinite Arms”

Infinite Arms is the third studio album from Band of Horses, and it immediately jumps out compared to their last effort as infinitely more mainstream. Whereas Cease to Begin is an incredibly moody record, even paralyzingly so at times, Infinite Arms decides to switch canoes midstream and head into a new, more accessible direction.

It’s hardly groundbreaking stuff overall, but it is an album that is packed with a great deal of solid, unique tracks. The shift from indie to mainstream is sizable, but this isn’t an album of a band trying to emulate the career path of another band. This is an album that will find Band of Horses losing one hardcore fan upset with the shift and gaining ten in their place who discovered the band with this album.

Continue reading

[Music Review] Owl City “Ocean Eyes”

It’s often helpful to compare similarly styled bands in order for the reader of a review or opinion piece to understand the genre, type, or style of music the writer is talking about. Allow me to describe Owl City’s album Ocean Eyes in three words.

It’s freaking terrible.

Now, I’m going to elaborate on this because my beloved Editor-in-Chief will not allow me to post a 33 word review due to the fact that it lacks objectivity.

This album is twelve tracks of complete garbage. I honestly have heard very few albums that are this terrible start to finish. It’s pandering, redundant, boring, (negative adjective), (negative adjective), (negative adjective). Continue reading

[Music Review] Broken Social Scene “Forgiveness Rock Record”

Broken Social Scene are at their very core the soul of independent music. They are a revolving door collection of independent musicians who come together to create some masterfully epic music. There is a certain heart to the band, a life-beating entity within it that is always present to make it alive. It is that life-beating entity that allows for Broken Social Scene to be successful, because it allows them to be diverse while keeping the direction of the band on course. No, this isn’t an ordinary band by an means. This is a progressive, independent, ever-changing ensemble.

Forgiveness Rock Record is an absolute cornucopia of sounds, emotions, and ambiance. But this much is to be expected from astute fans of the Toronto collective. Their albums are frequently buffet style music at its very best-a plate full of everything swirled together into what could be a mess, but is somehow more delicious than the sum of its parts. Continue reading

[Concert Review] The Flaming Lips at the IU Auditorium

Wayne Coyne in his sphere

Live music is fun. By it’s very nature, it is a large mass of people (or if the band sucks, a couple) paying a substantial amount of money, traveling, and listening to a group of professionals play an instrument and a series of songs with which you have a personal connection. In the many concerts I have been to, none have managed to make a live event feel so much like a live event as much as The Flaming Lips.

The Flaming Lips traveled to Bloomington, Indiana for a show to kick off Little 5 week. The sold-out crowd was buzzing, which is an interesting change of pace from most other concerts I have been to at this venue. While most are awesome acts (Wilco, Ben Folds, Jerry Seinfeld), none of them have possessed  the overall energy that The Flaming Lips brought to town, and it was electric from the first note on. Opening act Stardeath and White Dwarves were dark, moody, and grungy, and set the tone quite nicely for the main event. Continue reading

[Movie Review] Kick-Ass

kick ass movie

Dave Lisewski is  the traditional high-school ghost. He exists only to his friends, fantasizes about his English teacher, has a crush on a hot girl, hangs out at a comic book store, and so on. Dave starts to wonder out loud why nobody ever tries to be a super hero. So he buys a scuba suit, starts a MySpace account, and begins trying to do it.

Only it goes terribly wrong right out of the gate because he has no power, no training, and no real skills. As Kick-Ass, he usually ends up getting his ass kicked (as Big Daddy loves to point out), and he contemplates quitting numerous times. But it’s the desire to do good that compels him to continue down his chosen path of masked vigilante. He meets some other avengers along the way, and ends up involved in a very personal battle with Frank D’Amico, the father of one of his classmates and criminal mastermind. Continue reading

[Music Review] Minus the Bear “Omni”

God bless progressive musicians who make their music available to fans without fear of losing a dollar or two. When so many artists are quick to claim the internet as a rogue state the provides music to the masses *gasp* for free, there are plenty of artists who use the new medium to put their music out there without consequence. People are free to explore and find new types of music they enjoy.

I recently reviewed MGMT’s Congratulations, and was able to get a couple of weeks head start listening to an album that I had been anticipating for a long time. I enjoy being rewarded for being an impatient fan. It’s the same story with Minus the Bear’s new album Omni, which isn’t set for a physical release until May 4th. But their official website, minusthebear.com, links you to a stream that allows you to listen to the entire album in full.

Allow me to start the formal part of the review by saying this: Go to the website, and listen to this album. And then, when you realize how awesome it actually is, go buy it on May 4th. Buy a physical copy on the website, at a record store, buy it on Itunes, whatever. Just buy it. It’s that good. I haven’t urged anyone to buy an album this much since I single-handedly proclaimed the New Radicals “Band of the 90s” in 1998. Continue reading